This variety of shows that takes because their inspiration the stories that form united states mythology: yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big town Horatio Algers. They are stories that have been glamourized by popular tradition, and which occur in iconic proportions. Yet they have been reasonably young, flexible tales, only 200 yrs. Old. Dempsey and Millan flex them so they mirror a perspective that is different. By imposing an ironic lesbian and feminist reading/retelling upon these stories, they illuminate our history and our current, and produce alternate archetypes that propose brand brand brand new “new globes. ”
The Quick Tale of minimal Lizzie Borden is really a piece that posits rage as a justifiable, certainly rational response that is emotional modern globe activities. There’s two elements to the work, a printed text this is certainly provided to the viewers to be read at their leisure, and a performance that examines a woman’s anger that is modern. The penned narrative tells the storyline associated with the childhood of Victorian murderess, Lizzie Borden, who was simply accused of killing her moms and dads. In comparison to the printing work’s nineteenth century, poetic design, the live show informs an account of present-day kleptomania, grooming, while the rush to war. Within an irony-laden tirade, Dempsey describes why she steals women’s mags.
“This isn’t a gun. It is not an axe. It is a hatchet. An inferior, scaled straight straight down, more feminine, less effectual version. Perhaps Not an instrument, an accessory! And add-ons create interest. ”
Duration: five full minutes.
First performed: October 2001, Finding Feminisms seminar, Mentoring Artists for Women’s Art, Winnipeg, Manitoba
Printed text posted in Bedtime big tits video tales for the side of the global World, Arbeiter Ring Press, 2012
Photos by William Eakin and Elaine Stocki
Other real time pieces in the show are the Headless Woman therefore the Lesbian adore tale of this Lone Ranger and Tonto. Skip Gray’s Marvellous Truth device exists being an installation and recording on plastic.
Winnipeg Tarot Company
The Winnipeg Tarot Co. As well as its hope and enlightenment experts offered tarot that is free readings throughout Winnipeg through the autumn of 2010. Well-known music artists from many different procedures staffed the portable fortune-telling tent: Shawna Dempsey (performance musician), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and journalist), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (writer and star). Readings had been obtainable in Spanish, French, Japanese and English. The team of art-intuitives travelled from senior domiciles to department stores, the airport to your hockey arena, for five months, making use of Winnipeg’s effective psychic emanations. The device of these trade had been an entirely redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, manufactured by Dempsey and Millan, illustrated by Bonnie Marin and created by Mike Carroll.
The performance began at Portage Put Mall on Saturday September 25, 2010. Also prior to the tent ended up being arranged, a two-hour line-up formed, including an octogenarian World War II war bride along with her Canadian-born spouse, teens nevertheless awake type partying the evening prior to, a Latin American medical care worker on her solution to work, a businessman in a suit and connect, a greatly tattooed biker, plus an architecture student. As of this and also at all the venues, audience/participants originated in all walks of life to unburden on their own and inquire concerns about the way and meaning of these everyday lives. The closeness between your music artists and also the individuals at those moments had been profound. Even though designers prefaced each session with all the terms, “I cannot see the future”, individuals brought their hopes and worries, and additionally they had been paid attention to.
Re re Payment when it comes to service that is fortune-telling just accepted in tales about Winnipeg. Residents could also go right to the internet site and now have a card that is electronic and key in their Winnipeg stories. Over the course of the project very nearly 1000 tales were gathered and soon after deposited when you look at the Winnipeg Archives.
This Cultural Capitals task, commissioned by the Winnipeg Arts Council, tapped in to the miracle and secret of our town, and created an intersection that is meaningful musicians and residents to speak about our provided futures.
To own your fortune read, hear tale or keep a tale, go to http: //winnipegtarotco.ca.
Duration: 5 months
Performed: September and October 2010, throughout Winnipeg, Manitoba, in coffee shops, areas, libraries, cafes, etc.
Photos by Lorri Millan and Leif Norman
The ways that press has transformed our relationship to language and activism is explored through thi first-person narrative into that your symbols of terrorism literally drop from the ceiling.
It’s estimated that over the following two hundreds of years, 40% regarding the world’s extant languages will no be contemporary modes longer of thought or phrase. At the exact same time, “dominant” languages are devolving in to the brevity of marketing journalism. Sentence length is shrinking, and descriptives have emerged as superfluous. With this particular de-languagification, principles in addition to countries are now being lost. These shows consider the irony associated with the known undeniable fact that, at the same time whenever we have actually the methods to discussion and advocate locally, nationwide and globally, we losing ab muscles language with which we communicate.
“The following performance contains no nudity, physical violence or language that is coarse. No pets had been harmed into the creation of this piece, with no meat shall prepare yourself or consumed on phase. Be forewarned that you will have no strobe lights, fireworks or pyrotechnics of any sort, with no gunshots will likely be fired. What you are actually going to see will bore kiddies, older people, and the ones of you in-between. Time will crawl by and you’ll curse the close buddy whom brought you right right here. You can expect to give consideration to asking for the cash back, but that could need private conversation with the performer then you might never ever move out of right right right here (laugh). No, tonight’s spectacle will in no means be dazzling. In fact the dazzling is likely to be studiously avoided, and this won’t be most of a spectacle after all. ”
Duration: 20 mins
First performed: 2006, Studio XX, Montreal, Quebec october
Photos by William Eakin